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OriginalsLinda Hartough2025-09-08T21:08:32+00:00

Originals

LINDA’S CLIENT LIST

ABOUT LINDA’S ORIGINALS

Originals

LINDA’S CLIENT LIST

ABOUT LINDA’S ORIGINALS

Originals

LINDA’S CLIENT LIST

ABOUT LINDA’S ORIGINALS

Linda Hartough #7 Pebble Beach Original

#7 Pebble Beach

Unframed: 24″x42″
Framed: 34″x52″
$100,000 – SOLD

Linda Hartough #18 & Clubhouse August National Original

#18 & Clubhouse August National

Unframed: 24″x42″
Framed: 32″x50″
$95,000 – SOLD

Linda Hartough #18 Pebble Beach Original

#18 Pebble Beach

Unframed: 20″x42″
Framed: 30.5″x52.5″
$95,000 – SOLD

Linda Hartough #3 South Course Torrey Pines, 2008 U.S. Open Championship Original

#3 South Course Torrey Pines
2008 U.S. Open Championship

Unframed: 24″x42″
Framed: 35″x53″
$95,000 – SOLD

Linda Hartough #9 Pebble Beach 2010 U.S. Open Championship Original

#9 Pebble Beach
2010 U.S. Open Championship

Unframed: 24″x42″
Framed: 35″x53″
$95,000 – SOLD

Linda Hartough #17 Seminole Original

#17 Seminole Golf Club

Unframed: 24″x42″
Framed: 32″x50″
$95,000 – SOLD

Linda Hartough #16 East Course Merion Golf Club, 2013 U.S. Open Championship Original

#16 East Course Merion Golf Club
2013 U.S. Open Championship

Unframed: 24″x42″
Framed: 35″x53″
$95,000 – SOLD

Linda Hartough #1 The Old Course St. Andrews Original

#1 The Old Course St. Andrews

Unframed: 20″x36″
Framed: 29″x45″
$75,000 – SOLD

Linda Hartough #8 Lake Course Olympic Club, 2012 U.S. Open Championship Original

#8 The Olympic Club Lake Course
2012 U.S. Open Championship

Unframed: 20″x35″
Framed 29.5″x44.5”
$67,000 – SOLD

Linda Hartough #4 Black Course Bethpage State Park, 2002 U.S. Open Championship Original

#4 Black Course Bethpage State Park
2002 U.S. Open Championship

Unframed: 20″x35″
Framed: 27.5″x42.5″
$67,000 – SOLD

Linda Hartough #12 North Course Olympia Fields CC, 2003 U.S. Open Championship Original

#12 North Course Olympia Fields Country Club
2003 U.S. Open Championship

Unframed: 20″x35″
Framed: 27.5″x42.5″
$67,000 – SOLD

Linda Hartough #18 Lake Course Olympic Club, 1998 U.S. Open Championship Original

#18 Lake Course Olympic Club
1998 U.S. Open Championship

Unframed: 20″x35″
Framed: 29.5″x 44.5″
$67,000 – SOLD

Linda Hartough #10 Blue Course Congressional CC, 2011 U.S. Open Championship Original

#10 Blue Course Congressional Country Club
2011 U.S. Open Championship

Unframed: 20″x35″
Framed 29.5″x44.5″
$67,000 – SOLD

Linda Hartough #17 Black Course Bethpage State Park, 2009 U.S. Open Championship Original

#17 Black Course Bethpage State Park
2009 U.S. Open Championship

Unframed: 20″x35″
Framed: 27.5″x42.5″
$67,000 – SOLD

Linda Hartough #18 Pebble Beach Original

#18 Pebble Beach

Unframed: 8″x20″
Framed: 16″x28″
$25,500 – SOLD

Linda Hartough #17 Royal St. George Original

#17 Royal St. George

Unframed: 24″x42″
Framed: 35″x53″
Private Collector Sale – SOLD

Linda Hartough #11 White Dogwood August National Original

#11 White Dogwood August National

Unframed: 10″x20″
Framed: 16″x26″
Undisclosed – SOLD

Linda Hartough #9 Bruce's Castle Ailsa Course Turnberry Original

#9 Bruce’s Castle Ailsa Course Turnberry

Unframed: 10″x20″
Framed: 17.5″x27.5″
Undisclosed – SOLD

Linda Hartough #11 & #12 Ailsa Course Turnberry Original

#11 & #12 Monument Ailsa Course Turnberry

Unframed: 10″x20″
Framed: 16″x26″
Undisclosed – SOLD

Linda Hartough #10 Juniper Hills Original

#10 Jupiter Hills

Unframed: 32″x56″
Framed: 42″x66″
Undisclosed – SOLD

Linda Hartough #13 Augusta National Original

#13 Azalea Augusta National

Unframed: 10″x20″
Framed: 16″x26″
Undisclosed – SOLD

Linda Hartough #17 The Old Course St. Andrews Original

#17 The Road Hole at Dawn
The Old Course St. Andrews

Unframed: 10″x20″
Framed: 16″x26″
Undisclosed – SOLD

Linda Hartough #11 Amen Corner Augusta National Original

#11 White Dogwood Augusta National

Unframed:
Framed:
$ – SOLD

Contact Linda Hartough

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Location

Linda Hartough Golf Landscapes
1011 Bay Street Suite 110
Beaufort, SC 29902

Contact Information

Info@hartough.com
Local: 843.379.3890
Toll Free: 888.333.1525

For interviews with Linda Hartough or more information, please contact:

Sharon DiPasquale, Manager
Linda Hartough Golf Landscapes
843.682.3711
sharon@hartough.com

NFT Terms of Sale

LAST MODIFIED OCTOBER 17, 2022

Linda Hartough Golf Landscape NFTs, the Linda Hartough Original NFT Collection and any other NFT Collection released by Linda Hartough (collectively ‘Linda Hartough NFTs’) are collections of digital artworks (NFTs) on the blockchain. This website is only an interface allowing participants to access digital collectibles and NFT information. Users are entirely responsible for the safety and management of their own private accounts and/or wallets and validating all transactions and contracts generated by this website or any affiliated website before approval. Furthermore, as all NFTs runs on blockchain networks, there is no ability to undo, reverse, or restore any transactions. This website and its connected services are provided “as is” and “as available” without warranty of any kind. By using this website, you are accepting sole responsibility for any and all transactions involving Linda Hartough NFTs.

Linda Hartough offers various versions and edition types of digital artwork and collectible NFTs. The purchase of Linda Hartough NFTs is strictly a transaction in goods. At no time does Linda Hartough or any affiliate promise to provide future goods or services to Linda Hartough NFT owners. At times, Linda Hartough NFTs may include benefits, discounts or exclusive access, which will be detailed in each NFT description, the NFT’s unlockable content, or via Linda Hartough’s official website or an alternative communication channel.

You understand and agree that Linda Hartough NFTs grant you no rights outside of NFT OWNERSHIP, except for Personal Use, as detailed herein, and acknowledge NFTs carry no guarantee of future performance of any kind by Linda Hartough or any affiliate.

NFT OWNERSHIP

i. Once purchased – you Own the NFT. Each Linda Hartough NFT is an NFT on the blockchain. When you purchase an NFT, you own the underlying NFT, the NFT digital artwork, completely. Ownership of the NFT is mediated and verifiable entirely by blockchain technology: at no point may we seize, freeze, or otherwise modify the ownership of any Linda Hartough NFT, unless required by law.

ii. Personal Use. Subject to your continued compliance with these Terms, Linda Hartough grants you a worldwide, royalty-free license to use, copy, and display the purchased NFT digital artwork in digital format only, (personal usage does not allow any owner to physically reproduce the NFT digital artwork in any physical form including but not limited to physical prints, photos, merchandise, etc.), along with any extensions that you choose to create or use, solely for the following purposes: (i) for your own personal, non-commercial use; (ii) as part of a marketplace that permits the purchase and sale of your Linda Hartough NFT, provided that the marketplace cryptographically verifies each Linda Hartough NFT owner’s rights to display the digital artwork for their Linda Hartough NFT to ensure that only the actual owner can display the digital artwork; or (iii) as part of a third party website or application that permits the inclusion, involvement, or participation of your Linda Hartough NFT, provided that the website/application cryptographically verifies each Linda Hartough NFT owner’s rights to display the digital artwork for their Linda Hartough NFT to ensure that only the actual owner can display the digital artwork, and provided that the digital artwork is no longer visible once the owner of the Linda Hartough NFT leaves the website/application.

iii. Commercial Use. Linda Hartough grants NO commercial usage rights to owners of Linda Hartough NFTs. Examples of prohibited Commercial Use would include but are not be limited to the use of the NFT to produce and sell merchandise products (T-Shirts etc.), displaying copies of the digital art for business marketing purposes or any other activity in which an NFT would be used for financial gain.

DISCLAIMERS

The sale of Linda Hartough NFTs is governed by, and these TERMS OF SALE will be construed in accordance with, South Carolina Law, without regard to conflict of laws principles.

Class action waiver: to the extent permissible by law, all claims must be brought in a party’s individual capacity, and not as a plaintiff or class member in any purported class, collective action, or representative proceeding. The arbitrator may not consolidate more than one person’s claims or engage in any class arbitration. You acknowledge that, by agreeing to these terms, you and Linda Hartough and Linda Hartough’s affiliates are each waiving the right to a trial by a judge or a jury in a public forum and the right to participate in a class action.

Without prejudice to any other provision of these TERMS OF SALE, you acknowledge and agree that, except in the case of Linda Hartough’s fraud or willful default, and except as otherwise required by any non-waivable provision of applicable law, Linda Hartough and Linda Hartough’s affiliates shall not be liable in any manner whatsoever to you or any other person for losses or damages of any kind, whether arising in contract, tort, or otherwise, arising from the sale of Linda Hartough NFTs to any person.

CHANGES TO THE TERMS AND CONDITIONS

We may make changes to the Terms at our discretion. Please check these Terms periodically for changes. Any changes to the Terms will apply on the date that they are made, and your continued access to, ownership of, or use after the Terms have been updated will constitute your binding acceptance of the updates. If you do not agree to any revised Terms, you may not access or use this or affiliated sites and may choose to sell, transfer or dispose of your NFT.

ALL PURCHASES OF ANY LINDA HARTOUGH NFT ARE FINAL AND NON-REFUNDABLE

Glossary of Terms

With all the new print offerings, it can sometimes be difficult to understand how one kind of print differs from another and to feel confident in your selection. As the publisher, we have compiled the following guide to help you better understand the printing techniques that we choose to best replicate original paintings.

Giclée | Ink-Jet Prints

A fine art ink-jet print is as delicate as an original watercolor; please treat it as such. Please consider the following:

Be careful not to touch the surface of the image or let any liquid whatsoever come into contact with it. If you must handle the print, protect the areas to be touched with folded pieces of acid-free tissue. Support the long sides of the print with both hands.
Preparing your print for exhibition, matting, framing, shipping, or storage should be done only by experienced individuals.
Avoid direct sunlight, reflected light, and fluorescent light when displaying your ink-jet print, and consider rotating the print into storage on a three-month cycle.

Offset Lithographic Prints

Look for classic quality and consistent beauty in all our offset lithographic prints. This process affordably allows more people to own and enjoy a single work of art on paper than the original painting would.

Offset lithography is a photographic printing technique that uses inks, carried by rubber rollers called printing blankets, to transfer images from metal plates to paper.

Not all prints are alike, however, even at the same price. Our inks and archival paper are specially made to our exacting specifications.

While the industry standard for offset lithographic prints is often only four colors, we routinely create fine art prints in as many as ten different colors, resulting in unmatched clarity and color fidelity to the original.

Whichever work of art you choose, each offers its own unique qualities, and all offer you the pride and pleasure of owning a superlative work of art that might not otherwise be available. At The Linda Hartough Gallery, we will always choose the paintmaking technique that best suits the original.

Canvas Prints

These are created by offset lithographic printing directly on canvas, as opposed to on paper.

Our inks are specially adjusted for this technique, and the canvas we use has many of the same characteristics as the canvas that artists paint on.

A Linda Hartough canvas print has the authentic look of a more expensive original painting and, like the original, is framed without glass.

Textured Canvas Prints

This unique and valuable technique replicates the look and feel of an original painting, including canvas texture and the artist’s brush strokes.

The image is first printed by offset lithography with oil-based inks on a thin piece of oil-based material.

A mold of the original painting can be used as a guide to creat a feeling of brush strokes on the canvas, or the artist can re-create the brush strokes him or herself.

The mold is used with heat and pressure to bond the printed image to artist-quality canvas.

The resulting fine art print captures the texture as well as the image of the original and is framed without glass.

Published on a very selective basis and usually in much more exclusive editions, textured canvas prints have many of the popular attributes of an original.

Fine Art Serigraphs

Also commonly known as silk-screening, serigraphy is a time-honored technique, based on stenciling, for creating prints by hand.

Ink or paint is carefully brushed through a fine fabric screen, portions of which have been masked for impermeability.

For each color, a different portion of the screen must be masked, and each color must be allowed to dry before the next is applied.

Like Linda Hartough fine art lithographs, our fine art serigraphs are created from an original painting, and the artist can see and adjust the evolution of the colors through many proofing stages.

This exacting process can use more than 100 hand-applied colors. The depth of color is almost luminous.

Definitions

Acid Free: A descriptive term for specially made materials – used for the print itself or in the framing process – that are free of acids, which can cause discoloration and deterioration of a print.

Certificate of Authenticity: A statement of the authenticity of a limited edition. Documentation includes edition size and artist’s proofs, title of work, artist’s name, and date of release. Also known as a “warranty card,” this document guarantees that the edition is indeed limited and that the image will not be published again as a fine art print.

Conservation Framing: The method of framing a print in such a way that the print remains undamaged, in its original condition. This is accomplished through the use of special high-quality components, including acid-free materials, to protect the work of art from deterioration, fading and wear.

Countersignature: On a limited editon, the signature of someone in addition to the artist, often adding historical value to the work of art.

Edition, Limited: A fixed number of identical prints of an images, signed by the artist, sequentially numbered, and showing both the print’s number and the total edition size. Each print is referred to as a “limited edition print.”

Edition, Open: Identical prints of an images, which are signed by the artist and published in unlimited number.

Proof, Artist’s (AP): Additional prints not included in the regular limited edition, produced for the printer’s consideration and approval.

Proof, Printer’s: A small number of additional prints not included in the regular limited edition, produced for the printer’s consideration and approval.

Proof of Copyright Registration: One or two prints, produced in addition to the limited edition, which are sent by the publisher to the government agency responsible for copyright protection in the country in which the print is published.

Remarque: An original or printed drawing or marking made by the artist, usually in the margin of a limited edition print or on a small separate sheet of paper that accompanies the limited edition print. A remarque, especially if original, can add substantially to the value of a limited edition print.

Secondary Market: An unofficial network of dealers and individuals where the buying and selling of fine art prints takes place.

One-of-a-kind masterworks by Linda Hartough are available exclusively though The Linda Hartough Studio

Linda Hartough is widely considered to be the foremost golf landscape artist in the world. She is the only artist ever commissioned by both the United States Golf Association (USGA) and The Championship Committee of the Royal & Ancient Golf Club at St. Andrews to paint their respective Opens.

She received her Fine Arts Degree from the prestigious School of the Art Institute of Chicago.

In 1984, she was commissioned by Augusta National Golf Club to paint her first golf landscape. She has been painting the official U.S. Open commemorative image since 1990. She has painted nine British Open Championships.

When The Met Golfer asked venerable course designer Robert Trent Jones, Sr., what single golf object he would rescue from a devastating fire, he chose Linda Hartough’s painting of the 16^th hole at Hazeltine National Golf Club, site of the 1970 and 1991 U.S. Open.

In 1992, Jack Nicklaus invited Linda to paint five originals for his ABC television special, The Most Dramatic Holes in Golf. “I am the proud owner of seven paintings by Linda Hartough,” says Jack, “and each time I look at them, I see something new. Linda has a true feel for a golf course.”

In 2001, Linda received Golf Digest’s Lifetime Achievement Award at the inaugural Art of Golf Festival in Pinehurst, NC. The Festival honored 24 of the golf world’s most talented artists, writers, sculptors, and photographers. The award is the first of its type ever given.

“Linda is the golf world’s painter laureate,” says Bob Carney, Creative Director of The Golf Digest Companies. “There’s a tranquility about her paintings that is absolutely beautiful. When you view them, the paintings have the effect of actually putting you there. They’re beyond real.”

Linda’s original works are displayed in the permanent collections of such legendary clubs as Augusta National, Laurel Valley, Pinehurst, and Pine Valley, as well as in the personal collections of Jack Nicklaus, Ray Floyd, Robert Trent Jones, Sr., and Ian Baker Finch.

She was a founding trustee of The Academy of Golf Art, a professional society of golf artists established in 2004 to create an awareness and appreciation of golf art as a valuable segment of fine art.

Client List

Below is a list of just a few of our clients and venues that Linda has painted or been commissioned by over the years.

Golf Clubs

Augusta National Golf Club
Pine Valley Golf Club
Caves Valley Golf Club
Pinehurst Resorts
Secession Golf Club
Lake Nona Golf Club
The Country Club
Oakland Hills Country Club
Winged Foot Golf Club
Annandale Golf Club
Southern Hills Country Club
Sea Island Golf Club
Stone Canyon Golf Club
Red Stick Golf Club
Spring Creek Ranch Golf Club
Quaker Ridge Golf Club
Aronimink Golf Club
Old Waverly Golf Club
Ekwanok Country Club
Jupiter Hills Golf Club
Oakmont Country Club

Collectors

Jack Nicklaus
Robert Trent Jones
Rees Jones
Ian Baker Finch
Raymond Floyd
Hootie Johnson
William S. Morris III – Morris Museum of Southern Art
Senator Gordon H. Smith
Jackson Stephens
John & Nina Fanning

Expanded list available upon request.